Literary Mama writing about the many faces of motherhood
From the Editor: September/October 2019

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Brooke Medlin

Photo by Brooke Medlin. See more of Brooke's work at instagram.com/brookepedia/.

"I know the world is bruised and bleeding, and though it is important not to ignore its pain, it is also critical to refuse to succumb to its malevolence. Like failure, chaos contains information that can lead to knowledge—even wisdom. Like art." Toni Morrison, 1931-2019

This past summer was a difficult one for Dayton, Ohio, the place I call home. On May 27, devastating tornadoes tore through the region, and in early August, while much of the area was still reeling, a shooter killed 9 people and injured 27 outside a downtown bar. The people of Dayton and the surrounding areas have banded together to help begin to heal our city and the folks in it, and I'm so very proud to call Dayton my home.

But 16 years ago, when we first moved to the area, I was hesitant to think that any city other than Ann Arbor could ever find a true place in my heart. In fact, when we arrived, I said to my husband, "I'll give it three years. If at the end of that time, I don't feel like Dayton is home, we're leaving."

We do not have plans to move.

Three years isn't all that long, but over the course of that time, I changed and so did my idea of home. In three years, I cultivated relationships and gathered with like-minded and differently-minded souls, letting them into my heart and gaining new perspectives. In three years, I learned that the people of Dayton, Ohio, are kind, generous, thoughtful, compassionate, and inclusive; they embrace what's right and denounce what's wrong. In three years, Dayton-area community members helped me make the place "I moved to" into the place "I call home."

I wouldn't be where I am today—including the role I play here at Literary Mama—without the Dayton community. With the help of my children's teachers, colleagues, friends, and neighbors, I made my way through chaos and failures and accumulated knowledge and wisdom, to find not only the courage to begin writing again, but the courage to share my voice. And that voice, especially at times like these, is one I use to help myself cope.

We encourage all our readers to share their voices, to become a part of both their community and the Literary Mama community. Consider submitting your own work, commenting on a piece, or joining a conversation on social media. We hope you enjoy the September/October issue.

Christina

Senior Editor 

P.S. Stay connected between issues by exploring our archives to discover more mothers' voices.

Creative Nonfiction
Orange Communion by Marcy Dilworth
All Clear by Hadley Leggett

Fiction
Gut Roiling by Taryn King

Literary Reflections
Get in the Car! by Susannah Q. Pratt
Essential Reading: Favorites From Our School Days compiled by Nerys Copelovitz

Poetry 
"It’s Drop Now" by Coriel O’Shea Gaffney
Cover by Kara Gebhart Uhl
9 ½ by Meg Yardley
This Is A Picture Of Alexander The Great Feeding Some Birds by Valerie Hastings
Milkweed by Kathryn Petruccelli

Profiles
A Profile of Emily Dickinson by Laurie Paravati Phillips
A Conversation with Cati Porter by Kyra Robinov

Reviews
A Review of The Body at a Loss by Kyra Robinov
A Review of The World is Our Classroom by Cindy Fey

Images by Daniele Levis Pelusi, Lan Pham, Roberta Sorge, Ray Hennessy, Moren Hsu, and Brooke Medlin


Christina Consolino has had work featured in Brevity BlogFlights: The Literary Journal of Sinclair Community CollegeHuffPostShort Fiction Break, and Tribe Magazine. She is a founding member of The Plot Sisters, a local writing group that strives to offer compassionate writing critiques and promote literary citizenship, and also serves as second vice president for Oklahoma Writers’ Federation, Inc. Christina recently took the career leap to spend her days as a freelance editor, specializing in independently published books, and she also teaches writing classes at Word’s Worth Writing Connections.


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